In February 2016, Hardin Marine Arrowhead brings its first Four Winns and Stingrays to the L.A. Boat Show, 25 years after company founder Barry Lieberman displayed a custom-built 25-footer designed by Art Carlson.
Before Hardin Marine Arrowhead was launched in 1995, founder Barry Lieberman and Vic Hardin ran Hardin Marine, an Anaheim-based company that designed and built many of the nation’s most popular high-performance boat engines.
By the 1980s, with SeaRay dealerships in Newport Beach, Mira Loma, Camarillo, the San Fernando Valley, West L.A. and Lancaster, Lieberman attempted to connect his engines and his retail outlets with his own line of boats. He began by buying the Caribbean and Tahiti companies and built adaptations of those brands.
The next step would be to build his own custom Hardin boats from the ground up. He went after the best designer in America, who just happened to be in neighboring Garden Grove.
Enter Art Carlson
Throughout the 1980s, Art Carlson had been associated with Glastron Boats in Texas. Glastron was the biggest boat manufacturer in America from the 1950s through the 1970s. As fiberglass was replacing wood, Glastron seized the leadership position in the market, introducing elements that other manufacturers would copy. Carlson’s innovations took Glastron to another level of prominence, epitomized by their "star turn" as the boat James Bond drove in a famous chase scene in Live and Let Die.” (Read more.)
"Art made some really trick custom boats for Glastron," says Doug Robinson, who now owns Hardin Marine Arrowhead. A close friend of Lieberman’s, he bought the company in 2013, after Lieberman’s death at 66 following a long bout with cancer. "His designs were really futuristic. The most famous may have been ‘The Scimitar,’ inspired by a sketch his 17-year-old son had made based on his Corvette. It had a T-top roof and different tail designs that looked like a car."
Robinson still has photos of the building process of the prototype boat that Carlson and Lieberman built at Hardin Marine, as well as the letters from Art explaining how to execute his design.
"It’s just really interesting," Robinson says. "They had to design the center line to get it to the 25-foot length, then figure out where the cleats were going to go, where the fuel intake was going to be, and the rest. It had air scoops for the engine compartment coming up out of the back; a beautiful smoked windshield that swept around and custom deck hatches to inch upward in a gull-wing fashion. The engine compartment opened sideways instead of to the front or back."
"It was a futuristic boat," Robinson says. "And in those days it was really unique. Now it’s common to see a 25-foot boat, but in those days 25 feet was a pretty big boat!"
The boat was completed in time for the 1991 Los Angeles Boat Show, where it was displayed.
"Somebody bought it and away it went," Robinson recalls. "We don’t know what happened to it, but my understanding is it was the only one they made. In 1991, just building one was a major accomplishment. And, after reading this history, it makes me wonder if maybe we shouldn’t go back into building boats."
Carlson retired a few years later and died in 2014. In Robinson’s office are the mementos of those Hardin days, including the silver-plated signature plaque that would have been attached to the next boat that Carlson designed.
Photos (from top): The finished boat on display; Art Carlson in 1970; a color rendering of the design; a still from Live and Let Die; and three productions shots – creating the frame out of balsa wood, the finished balsa wood form, and then "fiberglassing" the balsa in to make the mold.